Starting point: The iconic LGN silhouette – a sharply structured, exaggerated-shoulder coat.
Breaking point: Deconstructing, hacking, imploding it to generate new forms.
Cuts are sharp and industrial.
A wardrobe where each piece plays with contrast. Warped skirts bolted onto sculptural shirts.
Pants slashed into micro-shorts. Tactile layering of sheer fabrics, oiled textures, and unexpected volumes.
Sensitive, unsettling, sexy replicants.
An erotic dystopia.
Textures range from latex to nylon, dry cotton to hand-painted leather, sheer black veils to printed
jacquards resembling oil stains.
Our colour palette follows the Blade Runner imaginary: nocturnal black, bone white, irradiated sand.
Models are raw and unapologetic – often anonymous with hair styled like visors.
A collection that’s taut, sensual, engineered to be a desire machine.

THE FILM: THE REPLICANT

Hand drawn and animated in collaboration with Wizz Studio.
The Replicant is a ballet of metallic humanoids, their shadows brushing and merging. Endlessly repeating.
Bodies multiply in sensual loops. Sweat becomes mercury. The heat rises as the silhouettes make contact.
LGN’s iconic pieces emerge: structured coats, architectural tailoring, transparent, opaque underwear
in sand tones and stripes.
The soundtrack is relentless, strobing over the footage. Somewhere between electric and analogue, glistening sharp ad-campaigns with flash-bulbs and paste-ups cutting through the smoke filled air.